Showing posts with label punk. Show all posts
Showing posts with label punk. Show all posts

Monday, March 28, 2016

Good Throb - Fuck Off (2014)

One of the most annoying things a person can do is belabor the definition of "punk", or really throw the word around in any nonmusical context. "That hummus is fuckin punk rock" or "You've been punked you stupid idiot" or "it's so punk rock outside today" whatever people say these days. Just stop it. It's music... played by people who don't care about being virtuosic with their instruments and they're indignantly ok with that. Probably the least punk rock thing a person can do is talk about what "punk" is and isn't. Just like what I'm doing now. Fuck.

Whatever "punk" is, Good Throb is great at it. Fuck off is their lone full length, available for free on their bandcamp, and it's full of simple, unpretentious attitude. They've almost got more of a posy-punk thing here, with their use of dissonant melody, prominent bass lines, and mid-up tempo beats. This isn't mosh music, but the kind of dancing that teenagers smoking cigarettes in moldy UK basements know how to do. Vocalist KY Ellie has got as great, sneering voice perfect for this kind of music... raspy, spitting viciousness.

Great lo-fi recording. Great song titles such as "Mummy I'm Ugly" and "You're Shit".  Fuck Off  is the most inviting listen I've heard in months.

11 songs.

Sample song: 



Bandcamp page:

Good Throb - Fuck Off

Saturday, December 12, 2015

Last Words - S/T (2013)

There's something truly wonderful about female-fronted music hardcore. Or is this powerviolence? I have no idea... I hope to learn more about the sub-genres of hardcore. But something we might all agree on is that many rock music scenes tend to be fairly homogenized in the gender and race department. And let's face it... there's no shortage of machismo in the world. Can't help it if my ears perk to the sound of Marina's amazing scream... a voice that takes this Raleigh, North Carolina's band to a whole new level of ferociousness... which would be entirely lost with a male vocalist ... I think. Her voice is that of a large hawk or like tires screeching to a halt. The band is also incredibly tight, packing a wallop in a short amount of time(most of the songs being under 2 minutes).

Last Words, I've read, take their influence from the Boston hardcore scene. I'm not sure what that means... something to explore in future posts.

10 songs, name your price. Available on vinyl! For the utilitarian music listener, a great record for the workplace (granted you have the luxury of listening to music while working) or even exercising.

Last Words - S/T